英語短篇小說課程論文

㈠ 有沒有感人的英語短篇小說 寫論文用

mother and child ---by Patricia A. Habada

㈡ 請推薦幾部適合寫文學論文的英語短篇小說。

Charles Dickens The Haunted House
Thomas Hardy The Fiddler of the Reels
Anthony Trollope The Parson's Daughter of Oxney Colne
D. H. Lawrence The Prussian Officer
Rudyard Kipling The Phantom Rickshaw
H. G. Wells Under the Knife
Wilkie Collins The Dead Hand
Saki Tobermory
Robert Louis Stevenson A Lodging for the Night
M. R. James Oh, Whistle, and I'll Come to You, My Lad
John Galsworthy The Broken Boot
Gissing The House of Cobwebs
Eliot The Lifted Veil

㈢ 英語論文的具體格式及範文

摘要：規范英語論文的格式,使之與國際學術慣例接軌,對我們從事英語教學,英語論文寫作,促進國際學術交流都具有重要意義。

語言和內容是評判一篇英語論文質量高低的重要依據；但是,寫作格式規范與否亦是一個不可忽略的衡量標准。因此,規范英語論文的格式,使之與國際學術慣例接軌,對我們從事英語教學,

英語論文寫作,促進國際學術交流都具有重要意義。由於英語論文寫作規范隨學科不同而各有所異,本文擬就人文類學科英語論文的主要組成部分,概述美國教育界、學術界通行的人文類英語論

文寫作規范,以供讀者參考、仿效。

一、英語論文的標題

一篇較長的英語論文(如英語畢業論文)一般都需要標題頁,其書寫格式如下:第一行標題與列印紙頂端的距離約為列印紙全長的三分之一,與下行(通常為by,居中)的距離則為5cm,第三、第

四行分別為作者姓名及日期(均居中)。如果該篇英語論文是學生針對某門課程而寫,則在作者姓名與日期之間還需分別打上教師學銜及其姓名(如:Dr./Prof.C.Prager)及本門課程的編號或名稱

(如:English 734或British Novel)。列印時,如無特殊要求,每一行均需double space,即隔行列印,行距約為0.6cm(論文其他部分行距同此)。

就學生而言,如果英語論文篇幅較短,亦可不做標題頁(及提綱頁),而將標題頁的內容打在正文第一頁的左上方。第一行為作者姓名,與列印紙頂端距離約為2.5cm,以下各行依次為教師學銜

和姓、課程編號(或名稱)及日期；各行左邊上下對齊,並留出2.5cm左右的頁邊空白(下同)。接下來便是論文標題及正文(日期與標題之間及標題與正文第一行之間只需隔行列印,不必留出更多

空白)。

二、英語論文提綱

英語論文提綱頁包括論題句及提綱本身,其規范格式如下:先在第一行(與列印紙頂端的距離仍為2.5cm左右)的始端打上 Thesis 一詞及冒號,空一格後再打論題句,回行時左邊須與論題句的

第一個字母上下對齊。主要綱目以大寫羅馬數字標出,次要綱目則依次用大寫英文字母、阿拉伯數字和小寫英文字母標出。各數字或字母後均為一句點,空出一格後再打該項內容的第一個字母

；處於同一等級的綱目,其上下行左邊必須對齊。需要注意的是,同等重要的綱目必須是兩個以上,即:有Ⅰ應有Ⅱ,有A應有B,以此類推。如果英文論文提綱較長,需兩頁紙,則第二頁須在右上角

用小寫羅馬數字標出頁碼,即ii(第一頁無需標頁碼)。

三、英語論文正文

有標題頁和提綱頁的英語論文,其正文第一頁的規范格式為:論文標題居中,其位置距列印紙頂端約5cm,距正文第一行約1.5cm。段首字母須縮進五格,即從第六格打起。正文第一頁不必標頁

碼(但應計算其頁數),自第二頁起,必須在每頁的右上角(即空出第一行,在其後部)打上論文作者的姓,空一格後再用阿拉伯數字標出頁碼；阿拉伯數字(或其最後一位)應為該行的最後一個空格

。在列印正文時尚需注意標點符號的列印格式,即:句末號(句號、問號及感嘆號)後應空兩格,其他標點符號後則空一格。

四、英語論文的文中引述

正確引用作品原文或專家、學者的論述是寫好英語論文的重要環節；既要注意引述與論文的有機統一,即其邏輯性,又要注意引述格式 （即英語論文參考文獻）的規范性。引述別人的觀

點,可以直接引用,也可以間接引用。無論採用何種方式,論文作者必須註明所引文字的作者和出處。目前美國學術界通行的做法是在引文後以圓括弧形式註明引文作者及出處。現針對文中引述

的不同情況,將部分規范格式分述如下。

1、若引文不足三行,則可將引文有機地融合在論文中。如:

The divorce of Arnold's personal desire from his inheritance results in 「the familiar picture of Victorian man alone in an alien universe」(Roper9).

這里,圓括弧中的Roper為引文作者的姓(不必注出全名)；阿拉伯數字為引文出處的頁碼(不要寫成p.9)；作者姓與頁碼之間需空一格,但不需任何標點符號；句號應置於第二個圓括弧後。

2、被引述的文字如果超過三行,則應將引文與論文文字分開。

需要加以注意。一是引文各行距英語論文的左邊第一個字母十個空格,即應從第十一格打起；二是引文不需加引號,末尾的句號應標在最後一個詞後。

3、如需在引文中插注,對某些詞語加以解釋,則要使用方括弧(不可用圓括弧)。

值得注意的是,本例中引文作者的姓已出現在引導句中,故圓括弧中只需註明引文出處的頁碼即可。

4、如果擬引用的文字中有與論文無關的詞語需要刪除,則需用省略號。如果省略號出現在引文中則用三個點,如出現在引文末,則用四個點,最後一點表示句號,置於第二個圓括弧後(一般說

來,應避免在引文開頭使用省略號)；點與字母之間,或點與點之間都需空一格。

5、若引文出自一部多卷書,除註明作者姓和頁碼外,還需註明卷號。

圓括弧里的1為卷號,小寫羅馬數字i為頁碼,說明引文出自第1卷序言(引言、序言、導言等多使用小寫的羅馬數字標明頁碼)。此外,書名 A History of English Literature 下劃了線；規

范的格式是:書名,包括以成書形式出版的作品名(如《失樂園》)均需劃線,或用斜體字；其他作品,如詩歌、散文、短篇小說等的標題則以雙引號標出,如「To Autumn」及前面出現

的「Democratic Vistas」等。

6、如果英語論文中引用了同一作者的兩篇或兩篇以上的作品,除註明引文作者及頁碼外,還要註明作品名。

7、評析詩歌常需引用原詩句,其引用格式如下例所示。

When Beowulf dives upwards through the water and reaches the surface,「The surging waves, great tracts of water, / were all cleansed...」(1.1620-21).

這里,被引用的詩句以斜線號隔開,斜線號與前後字母及標點符號間均需空一格；圓括弧中小寫的1是line的縮寫；21不必寫成1621。如果引用的詩句超過三行,仍需將引用的詩句與論文文

字分開(參見第四項第2點內容)。

五、英語論文的文獻目錄

論文作者在正文之後必須提供論文中全部引文的詳細出版情況,即文獻目錄頁。美國高校一般稱此頁為 Works Cited, 其格式須注意下列幾點:

1、目錄頁應與正文分開,另頁列印,置於正文之後。

2、目錄頁應視為英語論文的一頁,按論文頁碼的順序在其右上角標明論文作者的姓和頁碼；如果條目較多,不止一頁,則第一頁不必標出作者姓和頁碼(但必須計算頁數),其餘各頁仍按順序

標明作者姓和頁碼。標題Works Cited與列印紙頂端的距離約為2.5cm,與第一條目中第一行的距離仍為0.6cm；各條目之間及各行之間的距離亦為0.6cm,不必留出更多空白。

3、各條目內容順序分別為作者姓、名、作品名、出版社名稱、出版地、出版年份及起止頁碼等；各條目應嚴格按各作者姓的首字母順序排列,但不要給各條目編碼,也不必將書條與雜志、

期刊等條目分列。

4、各條目第一行需頂格列印,回行時均需縮進五格,以將該條目與其他條目區分開來。

㈣ 急求一篇短篇英語小說

Appointment With Love －－ Sulamith Ish-Kishor

Six minutes to six, said the great round clock over the information booth in Grand Central Station. The tall young Army lieutenant who had just come from the direction of the tracks lifted his sunburned face, and his eyes narrowed to note the exact time. His heart was pounding with a beat that shocked him because he could not control it. In six minutes, he would see the woman who had filled such a special place in his life for the past 13 months, the woman he had never seen, yet whose written words had been with him and sustained him unfailingly.
He placed himself as close as he could to the information booth, just beyond the ring of people besieging the clerks...
Lieutenant Blandford remembered one night in particular, the worst of the fighting, when his plane had been caught in the midst of a pack of Zeros. He had seen the grinning face of one of the enemy pilots.
In one of his letters, he had confessed to her that he often felt fear, and only a few days before this battle, he had received her answer: "Of course you fear...all brave men do. Didn't King David know fear? That's why he wrote the 23rd Psalm. Next time you doubt yourself, I want you to hear my voice reciting to you: 'Yea, though I walk through the valley of the shadow of death, I shall fear no evil, for Thou art with me.'" And he had remembered; he had heard her imagined voice, and it had renewed his strength and skill.
Now he was going to hear her real voice. Four minutes to six. His face grew sharp.
Under the immense, starred roof, people were walking fast, like threads of color being woven into a gray web. A girl passed close to him, and Lieutenant Blandford started. She was wearing a red flower in her suit lapel, but it was a crimson sweet pea, not the little red rose they had agreed upon. Besides, this girl was too young, about 18, whereas Hollis Meynell had frankly told him she was 30. "Well, what of it?" he had answered. "I'm 32." He was 29.
His mind went back to that book - the book the Lord Himself must have put into his hands out of the hundreds of Army library books sent to the Florida training camp. Of Human Bondage, it was; and throughout the book were notes in a woman's writing. He had always hated that writing-in habit, but these remarks were different. He had never believed that a woman could see into a man's heart so tenderly, so understandingly. Her name was on the bookplate: Hollis Meynell. He had got hold of a New York City telephone book and found her address. He had written, she had answered. Next day he had been shipped out, but they had gone on writing.
For 13 months, she had faithfully replied, and more than replied. When his letters did not arrive she wrote anyway, and now he believed he loved her, and she loved him.
But she had refused all his pleas to send him her photograph. That seemed rather bad, of course. But she had explained: "If your feeling for me has any reality, any honest basis, what I look like won't matter. Suppose I'm beautiful. I'd always be haunted by the feeling that you had been taking a chance on just that, and that kind of love would disgust me. Suppose I'm plain (and you must admit that this is more likely). Then I'd always fear that you were going on writing to me only because you were lonely and had no one else. No, don't ask for my picture. When you come to New York, you shall see me and then you shall make your decision. Remember, both of us are free to stop or to go on after that - whichever we choose..."
One minute to six - Lieutenant Blandford's heart leaped higher than his plane had ever done.
A young woman was coming toward him. Her figure was long and slim; her blond hair lay back in curls from her delicate ears. Her eyes were blue as flowers, her lips and chin had a gentle firmness. In her pale green suit, she was like springtime come alive.
He started toward her, entirely forgetting to notice that she was wearing no rose, and as he moved, a small, provocative smile curved her lips.
"Going my way, soldier?" she murmured.
Uncontrollably, he made one step closer to her. Then he saw Hollis Meynell.
She was standing almost directly behind the girl, a woman well past 40, her graying hair tucked under a worn hat. She was more than plump; her thick-ankled feet were thrust into low-heeled shoes. But she wore a red rose in the rumpled lapel of her brown coat.
The girl in the green suit was walking quickly away.
Blandford felt as though he were being split in two, so keen was his desire to follow the girl, yet so deep was his longing for the woman whose spirit had truly companioned and upheld his own; and there she stood. Her pale, plump face was gentle and sensible; he could see that now. Her gray eyes had a warm, kindly twinkle.
Lieutenant Blandford did not hesitate. His fingers gripped the small worn, blue leather of Of Human Bondage, which was to identify him to her. This would not be love, but it would be something precious, something perhaps even rarer than love - a friendship for which he had been and must ever be grateful.
He squared his broad shoulders, saluted and held the book out toward the woman, although even while he spoke he felt shocked by the bitterness of his disappointment.
"I'm Lieutenant John Blandford, and you - you are Miss Meynell. I'm so glad you could meet me. May...may I take you to dinner?"
The woman's face broadened in a tolerant smile. "I don't know what this is all about, son," she answered. "That young lady in the green suit - the one who just went by - begged me to wear this rose on my coat. And she said that if you asked me to go out with you, I should tell you that she's waiting for you in that big restaurant across the street. She said it was some kind of a test. I've got two boys with Uncle Sam myself, so I didn't mind to oblige you."

㈤ 英美文學畢業論文題目 要求：不能寫大家都寫爛的小說。最好是英文短篇小說。只要一個題目，角度新穎些許

皇帝的新衣
快樂王子
賣火柴的小女孩
競選市長
小王子

㈥ 英美文學論文題目。短篇小說的。

議論文是對某個問題或某件事進行分析、評論，表明自己的觀點、立場、態版度、看法和主張的一種文體。議論權文有三要素，即論點、論據和論證。闡述作者的立場和觀點的一種文體。這類文章或從正面提出某種見解、主張，或是駁斥別人的觀點。新聞報刊中的評論、雜文、說法或日常生活中的思想感受等，都屬於議論文的范疇。
這類文章或從正面提出某種見解、主張，或是駁斥別人的觀點。雜文、說法或日常生活中的思想感受等，都屬於議論文的范疇。
議論文又叫說理文，它是一種剖析事物、論述事理、發表意見、提出主張的文體。作者通過擺事實、講道理、辨是非等方法，來確定其觀點正確或錯誤，樹立或否定某種主張。議論文應該觀點明確、論據充分、語言精煉、論證合理、有嚴密的邏輯性。

㈦ 求英語小論文500字以內

EarthDay originally celebrated at Spring Equinox around March 20, is an annualday on which events are held worldwide to increase awareness and appreciationof the Earth』s natural environment. Now Earth Day is coordinatedglobally by the Earth Day Network,and is celebrated in more than 175countries every year.In 2009, the United Nations designated April22 International Mother Earth
最初，地球日是在每年的春分，也就是三月二十號，這一天世界各地都會進行各種活動，希望能夠增強人們的環境意識。現金，在同名組織「地球日組織」的協調下，地球日每年都在超過175個國家進行。 2009年，聯合國指定每年的四月二十二號為世界地球日。

People are more active doing something which isfriendly to the environment on Earth Day, like saving water, collectingrecyclable waste, recing the uses of chemical materials which could pollutethe environment, etc..
世界地球日這一天，人們會更加主動地去做一些有益於環境的事情，例如，節約用水，回收可再回收利用的廢物，減少可能造成環境污染的化學物質的使用等等。
Nowadays our world is highly developed with the improvementof technology. The wide use of technology helped us build factories,laboratories, mines, dams and all kinds of facilities which are supposed to dogood to the mankind. And of course they have brought and are still bringing usbenifits. But in the meanwhile they are causing and will be keeping causingserious environmental problems, such as all kinds of pollutions, the damage tothe ozonosphere and so on. And with the growing population of mankind, We areacctually ravaging the living condition of other species, which would cause theimbalance or even collapse of the ecosystem.
現今，科技的發展帶來了整個世界的高度開發。在科技廣泛應用的幫助下，我們建立了各種各樣的工廠，實驗室，礦場，水壩以及其他所有的能夠給人類帶來益處的設施。這些設施在帶給我們利益的同時，也對環境產生了嚴重的影響，例如，各種形式的污染，對臭氧層的損傷等等。同時，人類人口的增長，我們也在不停地掠奪其他物種的生存環境。這很有可能造成生態圈的失衡甚至是崩潰。
Acctually we can treat everyday as the Earth Dayand be aware of environmental protection all the time. In which way, our motherearth could be protected and she would be able to support us much longer.
其實，我們可以把每一天都當做世界地球日，每天都有意識地保護環境。這樣，我們才能夠保護我們的地球，她也能夠更長久地養育我們。

㈧ 英語短篇小說賞析的內容簡介

每章含兩篇小說，每篇選文均有作者簡介、語言和文化知識上的中文解釋和思考題。書末的附錄一是「小說評析寫作要點」，對如何寫作評析小說的論文做了簡要講解，並列出了系列相關問題啟發學生寫作時思考。附錄二是分析著名作家詹姆斯·喬伊斯的小說《阿拉比》的範文5篇，它們分別剖析了該小說的背景和氛圍、象徵、神話與原型、視點和人物。附錄三是「小說評析常見術語」，對所列的每一條術語做了簡要解釋。本書旨在幫助學生通過學習這些短篇小說，提高閱讀理解能力、賞析文學作品的能力和寫作水平，增進學生對於英語國家的社會文化知識和風土人情的了解，提高人文素養。本教材可供開設大學英語選修課使用，亦可作為自學英語的讀本。

㈨ 英語短篇小說讀後感(英文版,應付作業)

小王子＜Little Prince>這篇可以參考下:)~

Despite I』ve not in my childhood yet, I still prefer reading fairy-tale stories. The tales, which accompany with me in my old days, often make me think of some precious experience and sensation which only belong to children. This summer I』ve review this kind of tale, which was published in 1940. It』s the world-famous fairy-tale by the French author, Antoine de St-Exupery, The Little Prince.

As many other fairy-tales, the outline of The Little Prince is not very complex. 「I」, the narrator of the story, is a pilot whose plane has something wrong and lands in the Sahara. In this occasion, the pilot makes the acquaintance of the little prince, a little boy from another planet, the Asteroid B612. The little prince has escaped from his tiny planet, because he has some quarrel with a rose, which grows on his planet. In that case he left his own planet and took an exploration at some neighbor asteroids.
On his all-alone journey, the little prince meets different kinds of people, which includes a king, a conceited man, a tippler, a businessman, a lamplighter and a geographer. From these people he gets a conclusion that the grown-ups are very odd. Following the instruction of the geographer, he descends in the Sahara, on the earth.

Unbelievable, this little book moved me a lot. I seldom think about the true meaning of love and life before. Well, now I can say, with my short sixteen-year』s life experience, it』s like the stars in the sky that lit my heart. The little prince is not only an ordinary fairy-tale for children, but also for grown-ups, and our teenagers. Nevertheless, when I read this book, I feel a little sad – about ourselves, whom are losing more and more innocence

㈩ 求一篇英語中短篇小說（2000字左右，最好是帶中文翻譯的）

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