海狼小说人物分析

❶ 《海狼》这部作品主要讲了哪些内容

《海狼》是一部引起广泛争议的作品，评论界对它的褒贬曾大起大落。作者将19世纪流行的进化论、生物学和科学唯物主义都引进创作，在富于戏剧性的情节发展中展开讨论，使作品具有很强的哲理性。

小说以主人公第一人称自述的形式写成。美国绅士亨甫莱在航海中船沉落水，被“魔鬼号”海豹猎船救起。船长“海狼”拉森有一副高大魁梧的身躯，原始野蛮人似的气力，蛰伏着的威力时而发作。在他的威逼下，亨甫莱被迫在“魔鬼号”上当了一名厨子，目睹了由海狼造成的种种惨剧。后来他发现凶狠残忍的“海浪”同时是一个出身寒微、智力超群，靠自学博览群书的智者。一个偶然的机会，“魔鬼号”救起海上落难的女作家布鲁斯特。她的出现，引起了海狼的欲望。当他对布鲁斯特强行无礼时，亨甫莱奋起保护弱者，带她逃离到一个人迹罕至的荒岛。不久，被属下抛弃的海狼也同破损的船一起被风浪卷到荒岛。他已经弱不可支地逐渐走向末日。就在亨甫莱驾着修复的“魔鬼号”驶出海湾的那天，海狼终于孑然死于岛上。

正如大多数人所看到的，《海狼》中的拉森，几乎具备了“超人”的一切特征。他有超凡的体力和智力，是个粗野的“大海之子”；他鄙视温情脉脉的道德家，赤裸裸地主张用铁和血的手段去实现个人的意志；他有怀才不遇的苦闷和孤独，是丰富的激情和冷酷的性格铸成的矛盾综合体。

❷ 海狼这本书的主要内容是什么

主要内容是：一艘渡船在旧金山湾失事,三十五岁的文学评论家Hamphrey被捕海豹船"魔鬼号"船长海狼Larsen救起。由于船上大副的死亡，缺少人手的Larsen强迫Hamphrey在船上做茶房。Hamphrey目睹了水手和猎人们的争斗，但Hamphrey在船上学到了航海知识，身体也强壮起来。魔鬼号偶然救起了在轮船失事中幸存的Maud 。Hamphrey心中燃起了爱的火花，他终于和Maud找机会逃走，由于偏离了航线，不得不在一个海豹聚集的小岛上暂时安顿下来，过了一段艰苦的努力生存的日子。众叛亲离的Larsen和魔鬼号也撞上了这个小岛。船上的水手和猎人不堪Larsen的压迫，离开了。Hamphrey和Maud努力将魔鬼号修好，其间受到Larsen多次阻挠。船终于修好了，Larsen则出现了偏瘫，生命之火慢慢地熄灭了。Hamphrey与Maud将Larsen海葬，不久之后，他们获救了。

《海狼》是美国著名作家杰克·伦敦的长篇名著之一。小数描写了在一艘名为“幽灵号” 的以捕猎海豹为生的帆船上发生的一场动人心弦的搏斗和刻骨铭心的爱情故事。小说的“狼”不仅是船长莱森的名字，对作者而言，也是超人的代名词，作者通过作品带领读者进入豪放粗犷荒野，体验蛮荒生活的冷酷无情，感受人性凶残的黑暗面和原始生命的光辉；同时也揭露了资本主义社会的弊端，表现了对劳动人员顽强意志的歌颂和苦难生活的同情。

❸ 小说《海狼》的作者杰克·伦敦是做什么的求他的介绍。

作者简介 杰克伦敦，1876年生于旧金山。他是那个时代收入最多的作家之一。他在家中排行第十，从小家里就穷，他必须到外头辛苦地工作，以赚取微薄的薪资贴补家用。幼年时，杰克伦敦曾经被小偷和恶棍拐走，替他们做坏事，这件事在他心里留下了不可磨灭的阴影。后来的几年里，杰克伦敦心情郁闷，经常借酒浇愁。 幸好，就在他快变成酒鬼的时候，他随着一条捕海豹的船出海。当他再次回到旧金山时，他以前的老友大都已去世。他在铁路单位工作了一段时间后，受着自己的兴趣和欲望的驱使，开始到各地去旅行。他在阿拉斯加的克隆迪克区待了很长的一段时间，后来，这个地就成了《荒野的呼唤》这本书的背景。书中的主角巴克，就是以他在那里所遇见的一只狼狗为雏形塑造的。 在《海狼》一书中，杰克伦敦叙述了一个内心里“人性”与“兽性”交战不已的孤独男子的故事。许多评论家认为，书中那位船长，――海狼劳森，从许多方面来说，就是杰克伦敦自身的写照。 海狼突击队故事梗概(简介) 迈克尔．柯蒂兹导演的特殊风格海上冒险片，描写爱．基．鲁宾逊饰演的铁腕船长喜欢用残酷手段对付他的船员，但另一方面却对读书人非常尊敬。他在海难中偶然拯救了学者，遂经常跟他辩论深奥的哲学问题，希望藉此增加自己的知识。后来，学者发现了船长的弱点，原来他患上渐进式的视力衰退因而特别偏执。学者率船员叛变，将船长抛进大海，不料两人竟然还会见面。本片刻画两个性格和社会阶层均差异甚大的人彼此之间的心理斗争和微妙的爱恨关系。气氛引人入胜，是杰克．伦敦原著小说一次成功的改编。

❹ 《海狼》这部小说是怎样表现和突出主旨的

杰克·伦敦宣称，他创作《海狼》的主旨在于“攻击尼采和他的超人思想”。作品在某些方面确实表现了这种批判倾向。小说中的亨甫莱（即“我”），是作为海浪的对立面出现的。他基本保持了对于人生的希望和信念，所以“抵得住海狼的毁灭性的攻击”，承担了一个不很坚强，却是始终如一的批判者的角色。尤其可贵的是，这个过了35年寄生生活的绅士，来到“海狼”设置的严酷世界，在自食其力中改造了自己，在与他人的合作中获得生命的价值，真正理解了人生的意义。而与此形成对照，具有过人体力和意志的“海狼”却一步步地走向衰亡。他的自私、高傲、残忍导致人们怕他，更恨他，最后集体抛弃他，使这个庞然大物时时感到寂寞和空虚的痛苦。“海狼”的毁灭无疑是对尼采哲学的否定。然而，杰克·伦敦毕竟受尼采哲学的影响过深，即使在有意识地采取批判态度的时候，他与尼采哲学的关系依然是剪不断，理还乱的。作品中“海狼”的地位过于突出，使得他身后的影子——尼采成为书中无形的主角，由此而产生了一定的消极作用。

❺ 海狼的剧情简介

讲述了一艘菲律宾货轮在香港泊岸，海关人员循例登船检查，突然遇袭，一名匿藏船上的男子Gary打伤海关人员，逃到岸上。接连数日在码头附近发生多宗凶杀案，受害人有警员、市民，甚至黑帮人物，凶手身份及行凶动机未明。香港警队杨丽青督察接手调查，她从各点蛛丝马迹中推断，行凶者与当日逃走的Gary有关。该轮船的船长Captain与弟John指称Gary是他们在公海救起的难民，其人失忆及有暴力倾向。警方高层向杨丽青下达指示，要对此暴徒加紧追捕，必要时，为了全港市民的安宁着想，可执行格杀令。疑凶Gary四处躲藏警方的缉捕，由于失忆，对自己过去的一切完全空白，加上对香港陌生，本能上只懂得以暴力自卫，变成千夫所指的头号危险人物。杨丽青加紧追查行动，从线报得知Gary藏于一妓女家中，杨丽青精密布置，准备将他一举擒获，怎料在现场连船长之弟John亦一并逮住。在扣留期间，警方严词逼供，John一直保持缄默。一夜，John与Gary双双越押，令警方大为震惊。惟杨丽青在拘捕Gary的过程中，发现Gary本是一个善良的人，一切暴行只属自卫，杨丽青深信另有内情，继续追查，得悉菲律宾货轮实为海盗船，船上的大副阿强才是凶案幕后元凶。可惜，杨丽青苦无证据，上司当然不相信她的片面之词，至于杨丽青所说的海盗嫁祸罪名于Gary，更被指斥为无蹊。事实上，Gary乃公海劫案的唯一生还者，被海盗扣押，幸而他与海盗船上的John乃旧时好友，遂得以逃脱，却被海盗陷害他杀人，而John亦因海盗群的追究要逃命。杨丽青眼见Gary与John两命无辜者被定为凶徒，而货轮则依期离港，一群海盗逍遥法外，竟无计可施。另一方面，Gary从自己及John上的海狼纹身，开始渐有记忆，杨丽青遂掌握到重要线索，实行大举歼灭真正的奸徒的重任。

❻ 海狼读后感，重点写感受。

1——烟过年华

折腾了许多天，终于把杰克·伦敦的这本《海狼》结束了。这许多天，许多时刻，思绪放佛也跟着凡·卫登，跟着海狼赖生，甚至跟着莫德小姐，在那风狂雨暴的海上飘摇，游荡，没有止息。

多少次我对于船长海狼赖生的生命力感到惊异啊！我还是第一次见到这样纯粹得近乎不近情理的唯物主义者，惊异于哪怕只是故事中出现的这样的一位人物。

他体魄惊人，勇猛粗暴，以武力征服统帅一切，从不知畏惧和情感为何物。就是这样的一个人，却几乎天文地理文学科学都能略知一二，可称是“四肢发达”而又“头脑丰富”的完美结合体。在他的思想中，生命和感情都是不值钱的东西。所有人对自己的生命都是自视过高的，而不知道除了自己的这点“过分珍视”之外，他眼中比什么都重要的自己的生命其实什么都不是。

个体生命的消亡终止，对这个世界没有丝毫的影响，而世界上还有无数的生命要求被生出来呢。也正是基于这样的思想，他对自己的船员们从来都是在残暴之余冷眼相看，似乎是在审视一出出生命的笑话。一直到最后，他患上了严重的头痛病，眼也瞎了，甚至于全身都逐渐瘫痪并渐渐走向死亡之时，他仍然在嘲笑着知识分子眼中视为神圣的永生与灵魂。

我不止一次地痛恨这个叫赖生的家伙，他的唯物主义论常常荒诞和自相矛盾得近乎可笑。同时也在心里怀疑着，世界上真能有这样一个人吗？在接受各种文化的灌输教育（哪怕是无师自通）之后，还能够保持住如此简单、原始、野蛮的心性，还能够摒弃对生命所该有的最基本的敬重，还能够无挂无碍、好像压根不存在道德观念这回事一样潇洒地活在这世上？

在保持理性的、天马行空而且无限自由开阔的思想之余，居然能够冷眼于世间的一切可怕的不公正，居然能够理直气壮地奉行所有的弱肉强食的准则，能够狠得下心加害、施暴于世上所有的善良与正义？世间真能有这样一个人？强健得近乎完美的肉体，广阔浩瀚无常如海洋的思维，残暴得不逊于任何一个称之为人的生物的行为。

如果这些真能天衣无缝地在一个个体身上得到体现，我只能说这是个魔。海狼赖生就是一个这样的魔王。
一直到接近生命的终点了，一直到凡·卫登和莫德对他无私的照顾再也起不了作用了，连他们对他说话他都无法作答了，当莫德问起他，“还有永生，可不是？”他还能用仍有知觉的左手在纸上颤抖而苦痛地写下他生命中最后的言语：“胡说！”

天呐，这究竟是怎样一个人，他否认灵魂的存在，自己却有最自由不屈的灵魂；何苦要和自己过不去要和生命过不去，他至死都否认生命的价值，否认永生哪怕仅是对于其向往的价值。他就那样死在自己逐渐萎缩的肉体里，灵魂飘向无边的黑暗。广大，深沉，没有尽头。

我不知道是应该为这个灵魂感到惊异，还是痛苦。他的唯物主义和物质主义的穷追不舍让人感到不解，追根溯源，难道生命的意义真的根本就是虚空，就是幻影，除了存在本身，就再也找不到它存在的任何意义与理由了吗？难道生命真的就只是生命，不是任何别的？难道千百年里，人们苦苦追逐梦幻遐想的，来世或者永生的不朽，都只是纸上谈兵的笑料吗？

海狼赖生，该爱他，该恨他？还是人类的情感，根本就无法衡量和束缚这样的一个生灵？一个彻底蛮性的、原始的、自由自在的生灵，一个至死都不怕天不怕地的让人恨到骨子里的狂徒，一个彻头彻尾贯彻自己人生理念的思想家说和哲学家，一个完全超乎你想象力之外的存在。

杰克·伦敦的笔触，甚至能让我在阅读的空隙，脑海中浮现出他思索着的神情、紧蹙着的眉头。苦苦地苦苦地，挣扎于死亡与不朽、肉体与灵魂、物质与精神这样永无结果的争论中，无止无休，憔悴不堪，形容枯槁。

可是就是这样的笔触这样的情思，却让我不知不觉爱上这个写书的人。爱上那个时空与我不知道有多么遥远的，杳不可知的一个灵魂。也像赖生一样自由自在，却多了些悲悯情怀，像马丁·伊登一样才华横溢多情善感，却终于选择了不归路。

以往不知看过多少本名著小说了，可唯独看他的书，却喜欢联想写下那些文字的人。想着那双眼睛，那张脸，那对手，都是什么样的？何来如此多的思虑，挣扎，自相矛盾？还是字里行间的叛逆和无止无休的追问，竟让我看到一丝自己的影子？永远像一个孩童般没有长大，永远不满足于现世的生活，脚踩大地，却从来不忘了去仰望杳远的星空。

有谁知道，那是一种多么深沉的绝望。

❼ 海狼的作者

《海狼》是杰克·伦敦的长篇名著之一。小数描写了在一艘名为“魔鬼号” 的以捕猎海豹为生的帆船上发生的一场动人心弦的生一煞费苦心搏斗和刻骨铭心的爱情故事。小说中的“狼”不仅是船长莱森的名字，对作者而言，一学是超人的代名词，作者通过作品带领读者进入豪放粗犷荒野，体验蛮荒生活的冷酷无情，感受人民生凶残的黑暗面和原始生命的光辉；同时也揭露了资本主义社会的瞥端，表现了对劳动人员顽强意志的歌颂和苦难生活的同情。此外，作者所受尼采和斯宾赛的影响在作品中也有充分的表现。
美国著名小说家杰克伦敦的著作，《海狼》被公认为是海上题材里写得最好的小说之一。这个故事写得动人而有史诗韵味，不仅在文学上获得了很大的成功，而且在银幕上也受到了欢迎。故事取材于伦敦在北太平洋捕捉海豹的经历：他在伦敦供职的船正是一艘海豹捕猎船，作业路线也正是从旧金山湾到日本海域。《海狼》中关于“魔鬼”号海豹捕猎船、其航行活动、海上神秘莫测的风光气候以及水手海上生活等的许多描述都是以杰克•伦敦的亲身经历和经验为蓝本的。小说着重塑造了“海狼”拉森和亨甫莱•凡•卫登两个人物，通过两者的冲突表现了不同思想的磋撞，融合了作家本人对于人生哲学的思考，正如一些评论家所说，该作品反映了伦敦内心“理想主义和物质主义的冲突，良知与欺诈行为的冲突”。

❽ 求《海狼》中所表现的杰克伦敦的人生理念，要英文版的详细点的。

Plot
Like The Call of the Wild, The Sea Wolf tells the story of a soft, domesticated protagonist, in this novel's case an intellectual man named Humphrey van Weyden, forced to become tough and self-reliant by exposure to cruelty and brutality. The story starts with him onboard a San Francisco ferry, called Martinez, which collides with another ship in the fog and sinks. He is set adrift in the sea, eventually being picked up ("rescued" is not the right word) by Wolf Larsen. Larsen is the captain of the seal-hunting schooner Ghost. Brutal and cynical, yet also highly intelligent and intellectual (though highly biased in his opinions as he was self-taught), he rules over his ship and terrorizes the crew with the aid of his exceptionally great physical strength. Van Weyden adequately describes him as an indivialist, a hedonist, and a materialist. As Larsen does not believe in the immortality of the soul, he finds no meaning in his life save survival and pleasure and has come to despise all human life and deny its value. Being interested in someone capable of intellectual disputes, he somewhat takes care of "Hump" while forcing him to become a cabin boy, do menial work, and learn to fight to protect himself from a brutal crew.

A vast majority of the story concerns itself with Humphrey's growth as a character, from self-described wimp to self-sufficient indivial. Such episodes include his learning of the ship's workings, his rivalry with Thomas Mudgridge (the ship's cook, which climaxes with a standoff that Humphrey wins), and his tense relationship with Wolf Larsen. He is promoted throughout the story, from cabin boy to mate.

A key event in the story is an attempted mutiny against Wolf Larsen by several members of the crew. The organizers of the mutiny are Leach and Johnson. Johnson had previously been beaten severely by Larsen, and Leach was a close friend of Johnson, motivating the two. The first attempt is by sending Larsen overboard, however he manages to climb back onto the ship. Searching for his assailant, he ventures into the sleeping quarters, located beneath the main deck, the only exit being a ladder. Several, at least seven men, take part in the mutiny and attack Larsen. Larsen however, demonstrating his inhuman enrance, strength, and conviction, manages to fight his way through the mob, climb the ladder with several men hanging off him, and escape relatively unharmed. He later gets his vengeance by torturing his crew, and constantly claiming that he was going to murder Leach and Thompson at his earliest convenience, being after the hunting season is done, as he can't afford to lose any crew. He later allows them to be lost to the sea when they attempt to flee on a hunting boat.

Following this, the Ghost picks up another set of castaways, including a woman poet named Maud Brewster. Both Wolf Larsen and Humphrey immediately feel attraction to her, e to her intelligence and "female delicacy". Humphrey sees her as his first true love. He strives to protect her from the crew, the horrors of the sea, and Wolf Larsen. As this happens, tension begins to rise between Wolf Larsen and his brother, Death Larsen, with the two aggressively competing for seals. Wolf goes as far as kidnapping several of Death's crew and forcing them into servitude to fill his own ranks. During one of Larsen's intense headaches, which render him near immobile, Humphrey steals a boat and flees with Maud.

The two eventually land on an uninhabited island, heavily populated with seals. They hunt, build shelter and a fire, and survive for several days, utilizing the strength they gained while on the Ghost. The Ghost eventually crashes on the island, with Wolf Larsen the only crew member. In vengeance, Death Larsen had tracked his brother, bought his crew, destroyed his sails, and set Wolf adrift at sea. It is purely by chance that Humphrey and Maud meet Wolf again.

Wolf's headaches only grow worse, and they are revealed to be strokes. The three coexist to some extent. Humphrey obtains all of the firearms left on the ship, but cannot bring himself to murder Larsen, who does not threaten him. After one stroke, Larsen is rendered blind. Humphrey and Maud decide they can repair the ship, but Larsen, who is intent to die on the island and take them with him, sabotages any repairs they make. He feigns paralysis, and attempts to murder Humphrey when he foolishly draws within arm's reach, but just then is hit with another stroke that leaves him blind and the left side of his body paralyzed. His condition only worsens, he loses usage of his remaining arm, leg and voice. Maud and Humphrey, unable to bring themselves to leave him to rot, care for him. Despite this kindness, he continues his resistance, setting fire to his mattress. Finally, ring a violent storm, Wolf Larsen passes away.

Humphrey finishes repairing the Ghost, and he and Maud set sail. They give Larsen a burial at sea, an act mirroring an incident Humphrey witnessed when he was first rescued. The story ends with them being rescued by an American revenue cutter.

Humphrey van Weyden
Humphrey starts the book weak of body but strong of mind. He grows stronger as the story progresses, physically through the manual labor, and spiritually as he enres the various hardships. Upon meeting Maud, he realizes just how much he has changed, gaining muscle mass, a more rugged appearance, and a different outlook on life.

Humphrey has a unique relationship with Larsen. Though he is in effect the captain's prisoner, Larsen shows him favoritism and occasionally acts as a father figure, giving advice on how to survive aboard the ship. Though Larsen claims to take Humphrey aboard primarily because he needed an additional hand, he also seems to genuinely believe he is doing something good for Humphrey. He claims that Humphrey has never "stood on his own legs", meaning he has never had to work and always relied on his inheritance from his father to survive. Throughout the book, Larsen compliments Humphrey on his growth, eventually telling him he is proud of him, and calling him a real man, able to stand on his own.

Humphrey has an ideology that is in sharp contrast to Larsen's. He believes in the internal soul, inherent good, and that men should act justly under all circumstances. His views are constantly being challenged by Larsen, who encourages him to give into his desires and behave in an immoral fashion. By the end of the story, Larsen is annoyed that Humphrey still clings to his beliefs and refuses to murder him, despite all the suffering Larsen has put him through.

Wolf Larsen
Larsen is a complex character. Physically, he is described as approximately five feet ten with a massive build: broad shoulders and a deep chest. Humphrey describes Larsen as beautiful on more than one occasion, perfectly symmetrical, a perfect specimen of masculinity. Yet, despite this, his true strength is described as something more primal, more primitive and animalistic. He is extremely intelligent, having taught himself a variety of fields, including mathematics, literature, science, philosophy, and technology. Throughout the story, he displays almost inhuman amounts of strength, even for a man of his size and build.

Larsen was born in Norway, though he is of Danish descent. He spent his entire life at sea; cabin-boy at twelve, ship's boy at fourteen, seaman at sixteen, able seaman at seventeen. It is unclear when he obtained the Ghost and became captain. He claims to have several brothers, but only Death Larsen is mentioned.

Larsen displays characteristics of a sociopath. He has absolutely no fault with manipulating and bullying people to better serve his needs. He routinely takes men hostage, castaways like Humphrey or seal hunters from other ships, and uses them to fill his own ranks when needed. He murders and abuses people without hesitation, seeing no value in life. He enjoys the intellectual stimulation that Humphrey and Maud provide, but Humphrey describes their relationship as one between a king and his jester. He is only a toy to Larsen.

Despite his immense internal strength, Larsen at times show signs of weakness and depression. He is envious of his brother, because his brother is simple minded, and so is able to enjoy life unburdened. He also claims he is envious of Maud and Humphrey's faith, but later says it is only his mind, and he knows he is better off without it. He also speaks of frustration that he never amounted to anything great. He claims he had all the determination and will, but was never given the proper opportunity.

Interestingly, Wolf is not Larsen's real given name, his real given name is never spoken. Dialogue heavily implies that he is called "Wolf" because of his nature and viciousness, similar reasons that his brother is called "Death".

Background
The personal character of the novel's antagonist "Wolf Larsen" was attributed to a real sailor London had known, Captain Alex MacLean. London, who was called "Wolf" by his close friends, also used a picture of a wolf on his bookplate, and named his mansion "Wolf House." Given that Hump's experiences in the novel bear some resemblance to experiences London had, or heard told about, when he sailed on the Sophia Sutherland, the autodidact sailor Wolf Larsen has been compared to the autodidact sailor Jack London.

Originally from Cape Breton Nova Scotia, MacLean sailed to the Pacific side of North America when he was just twenty-one and worked there for thirty-five years as a sailor and sealer. His achievements and escapades while in the Victoria British Columbia fleet in the 1880s laid the foundation for his status as a folk hero.

The real life Captain Alec MacLean was born May 15, 1858 in East Bay, Nova Scotia. He did sail mostly in the Pacific North West with his brother Captain Dan MacLean. Capt. Alec was at one time the Sheriff of Nome, Alaska. The MacLean Captains maintained their ties to Cape Breton Island despite having spent much of their lives sailing the Pacific Coast and do have living descendants (The Highland Heart of Nova Scotia, Neil MacNeil).

London's intention in writing the The Sea-Wolf was "an attack on Nietzsche's super-man philosophy." The novel also contains references to Herbert Spencer, Omar Khayyám, Shakespeare, and John Milton.

The real-life USRC Bear and its color commander, Captain Michael A. Healy, each icons along the late 19th century Alaskan coast, were reportedly inspirations for London when writing The Sea-Wolf. (The Bear is the American revenue cutter which comes to the rescue at the end of his story). In 1930, the Bear, then a museum ship in Oakland, California, portrayed a ship for a film version of The Sea-Wolf.

❾ 《海浪》的主人公是什么职业

《海浪》是英国女作家弗吉尼亚·伍尔芙1931年创作的长篇小说，作者以极具朦胧意味和象征意味的笔触描绘了六个人物：伯纳德、内维尔、路易斯、苏珊、珍妮和罗达从童稚到垂暮之年的内心独白，用六股平行的意识流分别表现了意识的六种类型和“人的六个时代”的成长经历和体验。
伯纳德作为整部小说的一个主角，贯穿整个小说的始末。小说中的伯纳德从小便树立了成为作家的理想，

❿ ⒈根据你的理解，谈谈你对“海浪”这一形象的认识。 ____

1. 海浪是一个执着的爱人形象，她对情侣海岸一往情深，爱得热烈，爱得深沉，并由对海岸的爱情上升到更广阔的对世间万物所怀的满腹爱情，这博大的爱情闪耀着母性的光辉——“爱情的真谛就是清醒”，因为爱着这个世界，所以哪怕“彻夜不眠让我形容憔悴”，也要守护着这个世界，它的和谐，它的美。