㈠ 《飄》中的人物關系
思嘉.奧哈拉 母親:愛倫.羅彼拉德 父親:傑拉爾德.奧哈拉 所愛的人:艾希禮.威爾克絲 妹妹:卡林內;蘇倫 丈夫:1.查爾斯.漢密容爾頓(妹妹:媚蘭,艾希禮的妻子;霍妮;姑媽:皮締帕特)得兒子:韋德.漢普頓 2.弗蘭克(原蘇倫的情人) 得女兒:愛拉 3.瑞德.巴特勒 得女兒:邦妮(後死)
㈡ 小說《飄》（《Gone with The Wind》）裡面幾個配角的英文名
Characters
Scarlett O'Hara – main protagonist, a willful daughter of the South
Rhett Butler – Scarlett's admirer and third husband, seen as an indecent and somewhat shocking gentleman
Ashley Wilkes – the man Scarlett desires, married to Melanie
Melanie Hamilton Wilkes – Ashley's wife, a gentle woman; Scarlett's sister-in-law and friend/unknowing rival for Ashley's affections
Mammy – Scarlett's nurse, a slave woman who chaperones her
Gerald O'Hara – Scarlett's father, an Irishman; owner of the plantation Tara
Ellen O'Hara – Scarlett's mother
Suellen & Carreen O'Hara – Scarlett's younger sisters
Charles Hamilton – Melanie's brother, Scarlett's first husband, originally the beau, and all-but-betrothed, of Ashley's sister Honey. In the film version, Charles was the beau of Ashley's sister India.
Frank Kennedy – originally the beau of Scarlett's sister Suellen, Scarlett's second husband
Aunt Pittypat (Pitty) – Melanie and Charles' aunt, with whom Scarlett lives in Atlanta ring the war
Belle Watling – a courtesan; as such, she is wealthy but proper women will not have anything to do with her; a friend of Rhett's
Will Benteen – a poor, one-legged Confederate soldier who appears at Tara with pneumonia ring Part Three and eventually marries Suellen, although he loves Careen.
Beau Wilkes – Melanie's and Ashley's son, delivered by Scarlett
Wade Hamilton – Scarlett and Charles's son
Ella Kennedy – Scarlett and Frank's daughter
Eugenie Victoria "Bonnie" Butler – Scarlett and Rhett's daughter
Important places
Tara – The O'Hara home and plantation for which Scarlett fights.
Twelve Oaks – The Wilkes plantation; Ashley's birthday barbecue is held here in Part One
Peachtree Street – a major street in Atlanta; Aunt Pittypat lives here, and most of the book takes place here.
㈢ 飄英文版人物分析
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㈣ 小說《飄》的主人公郝思嘉和白瑞德的角色分析，要英文de
Scarlett O'Hara (full name Katie Scarlett O'Hara Hamilton Kennedy Butler) is the protagonist in Margaret Mitchell's only novel, Gone with the Wind, and in the later film of the same name. Scarlett is also the main character in the 1991 book Scarlett, a sequel to Gone with the Wind that was written by Alexandra Ripley, and in the 1994 television mini-series based on the book.
Scarlett is a pretty, coquettish Southern belle who grows up on the Georgia plantation of Tara in the years before the American Civil War. Scarlett is described as being 16 years old at the outbreak of the Civil War in 1861, which would put her approximate birthdate at about 1845. Selfish, shrewd and vain, Scarlett inherits the strong will of her Irish father Gerald, but also desires to please her well-bred, genteel French American mother Ellen, from a good Savannah family. Scarlett loves Ashley Wilkes, her aristocratic neighbor, but when his engagement to meek and mild-mannered Melanie Hamilton is announced, she marries Melanie's brother Charles out of spite. Her new husband dies early in the war, and Tara falls into the marauding hands of the Yankees. In the face of hardship, the spoiled Scarlett uncharacteristically shoulders the troubles of her family and friends, and eventually the not-so-grieving widow marries her sister's beau, Frank Kennedy, in order to get funds to restore her beloved home. Repeatedly, she challenges the prescribed women's roles of her time, as a result, she becomes very disliked by the people of Atlanta. Scarlett's ongoing internal conflict between her feelings for the Southern gentleman Ashley and her attraction to the sardonic, opportunistic Rhett Butler— becomes her third husband—embodies the general position of The South in the Civil War era.
Scarlett by Alexandra Ripley is controversial to fans. Scarlett grows up over the course of the book, and while this is appealing and believable to some readers, others claim it cheapens the original novel and film and compromises her character. Either way, Scarlett was a runaway best-seller after its publication in 1991.
In the 1939 film version of Gone with the Wind, Scarlett O'Hara is similar to the character in the original novel, but there are some noticeable differences. In the book, Scarlett gives birth to three children: Wade Hampton Hamilton, Ella Lorena Kennedy, and Eugenia Victoria "Bonnie Blue" Butler. In the film version, only Bonnie Blue is mentioned. (In the novel Scarlett, Scarlett O'Hara gives birth to another daughter by Rhett, Katie Colum "Cat" O'Hara Butler.)
While the studio and the public agreed that the part of Rhett Butler should go to Clark Gable (except for Clark Gable himself), casting for the role of Scarlett was a little harder. The search for an actress to play Scarlett in the film version of the novel famously drew the biggest names in the history of cinema - "The Scarlett Letters" as it was affectionately called - such as Bette Davis (who was cast in the similarly themed movie "Jezebel" when she failed to land the role of Scarlett), Katharine Hepburn who went so far as demanding an appointment with David O. Selznick and saying "I am Scarlett O'Hara! The role is practically written for me". David replied rather bluntly "I can't imagine Rhett Butler chasing you for ten years."Jean Arthur, and Lucille Ball were also considered. Susan Hayward was "discovered" when she tested for the part, and the career of Lana Turner developed quickly after her screen test. Joan Bennett was widely considered to be the most likely choice until she was supplanted by Paulette Goddard. However, failure to proce a marriage license between her and Charlie Chaplin lost her the part.
Principal photography on the film began with the role still not cast. The scene depicting the burning of Atlanta was being filmed when procer David O. Selznick's brother arrived on the set with two visitors—British actor Laurence Olivier and his then girlfriend, novice actress Vivien Leigh. Myron Selznick announced he had found his brother's Scarlett, and with one look at Leigh, David knew he was right. Leigh was cast—despite public protest that the role was too "American" for an English actress—and Leigh eventually won an Academy Award for her performance.
Part of Scarlett's enring charm for women is her feminism, though recent critics have pointed out that many events in the novel are degrading to women. There is Rhett's ravishing of Scarlett (after which Scarlett is shown to have enjoyed herself immensely), Scarlett's apparent need of a man to be happy (whether it's Ashley Wilkes or Rhett Butler), and Melanie's sweet but submissive character (who is much adored by everyone).
On the other hand, there have been many defenses for this. First of all, Melanie is not offensive to women, she is simply a more traditional character. Many believe the 'rape scene' quickly becomes consensual (this theory is backed by the novel Scarlett, although it was not written by Mitchell). And again, Scarlett is an indivial character, and her need for a man should not be interpreted as universal.
Scarlett is by far the most developed character in Gone with the Wind. She stands out because she is strong and saves her family but is incredibly selfish and petty at the same time. She challenges nineteenth-century society's gender roles repeatedly, running a store and two lumber mills at one point. Scarlett is in some ways the least stereotypically feminine of women (in other ways the most), and the more traditional Melanie Wilkes is in many ways her foil. But Scarlett survives the war, several marriages, the birth of children, and even a miscarriage. Melanie, on the other hand, struggles with fragile health and a shy nature. Without Melanie Wilkes, Scarlett might simply be seen as harsh and "over the top," but beside Melanie, Scarlett presents a fresher, deeper female characterization; she lives a complicated life ring a difficult period of history.
Some of Scarlett's lines from Gone with the Wind, like "Fiddle-dee-dee!," "Tomorrow is another day," "Great balls of fire!" and "I'll never go hungry again!", have become modern catchphrases.
Rhett Butler is the handsome, dashing fictional hero of Gone with the Wind written by American author, Margaret Mitchell. The novel introces him as the problem-solving pragmatist who is sure that the South cannot win a protracted war with the North. His opinions, expressed in the parlor of a Southern gentleman's household, are not viewed favorably by the Southerners and as a result, he is even challenged to a el. Rhett gracefully takes a bow with the famous lines "I seem to have ruined everybody's brandy and cigars and dreams of victory and war."
In the beginning of the novel, we first meet Rhett at the barbeque at the Twelve Oaks Plantation, the home of Ashley Wilkes and India Wilkes. The novel describes Rhett as "a visitor from Charleston;" a black sheep, he was kicked out of West Point and because of his true rebelious nature, he is not accepted by any family with repute in the whole of Charleston, and perhaps all of South Carolina. When Scarlett O'Hara, who was at the Twelve Oaks party where Rhett was introced, hears of this, she is shocked and intrigued at the same time. Rhett's enthrallment with Scarlett begins when he overhears her declaration of love for Ashley in the library while the rest of the "proper" girls are taking a nap in the late afternoon to prepare for the dance that would take place later that evening. He recognizes that she's willful and spirited, and also that they're alike in many ways, including their disgust with the impending, and later ongoing, war with the Yankees.
They meet again when Scarlett has already lost her first husband, Melanie's brother, Charles Hamilton, while she's staying with Melanie and her Aunt Pittypat in Atlanta ring the war. Rhett, the dashing blockade runner, shocks the entire charity ball that was being thrown to raise money for the confederate troops, by asking to dance with Scarlett, who is now a widow, something that was unspeakable in the Antebellum south. Once a woman's husband passed away, she wasn't permitted to do a great many things.
Rhett seemingly ruins Scarlett's reputation after this very public display of frivolity and Scarlett's father, Gerald O'Hara comes to speak to Rhett and to take Scarlett back to Tara. However, Rhett, the blackguard he is, gets Gerald intoxicated and he and Rhett come to terms, so to speak. Gerald returns to Tara and Scarlett remains in Atlanta, along with her newborn son.
When Scarlett flees Atlanta, Rhett joins the confederate soldiers for their one last stand against Sherman. Scarlett couldn't understand why Rhett chose to ally himself at the moment when the confederate cause had failed.
After a great many months, Scarlett returns to Atlanta, this time to solicit money from Rhett to save Tara from being stolen out from under her, only to learn from Aunt Pitty that he was in military jail, imprisoned by the Yankees for stealing the confederate gold. Scarlett comes waltzing in, supposedly horrified that Rhett's life was in danger, all the while maneuvering him to give her money for the plantation. When Rhett sees through her ploy, he laughs in her face, in which case Scarlett flees, only to be confronted by Belle, a prostitue who enjoyed keeping company with Rhett. Disgusted with how low she's sunk, she's on her way back to Aunt Pittypat's when she meets Frank Kennedy, her sister Sue Ellen's beau. Learning that Frank has done very well for himself, she plys him with affection and finally secures a marriage proposal, to which she accepts, thereby securing Tara's future indefinitely.
Months later, Scarlett is shocked when she sees Rhett Butler while she's running Frank's store, free from the Yankees and amused that she has rushed into yet another marriage with a man that she doesn't love, much less the fact that she stole him right out from under her sister's nose.
After Frank Kennedy is killed ring a Ku Klux Klan raid on the shanty town after Scarlett is attacked, Rhett saves Ashley Wilkes' and Dr. Meade's life, whom were both active members of the KKK by alibiing him to the Yankee captain, a man whom he's played cards with on several occasions.
While Scarlett is torn with guilt of causing the death of her second husband, Rhett appears and offers a marriage proposal, promising to give her everything. Scarlett accepts for the money while Rhett secretly hopes that Scarlett will eventually return the love he's had since the day he saw her at Twelve Oaks.
In the course of the novel, Rhett becomes increasingly enamored with the survivalist instincts of Scarlett O'Hara in the chaos surrounding the war.
Like Thomas Sutpen and Charles Bon from Absalom, Absalom!, Rhett decides to join in the Southern cause, but unlike his fellow Confederate, Ashley Wilkes, Rhett is not spiritually paralyzed by the South's loss.
Rhett takes leave of Scarlett after rescuing her and Melanie Wilkes from the burning of Atlanta, expressing his desire to fight alongside the South and its lost cause. Scarlett cannot comprehend Rhett's sudden decision to fight, which underscores her total rejection of the Southern chivalric ideal.
Scarlett takes her burdens on alone, and it hurts Rhett that she won't just lay them at his feet as he would carry them for her. Rhett discovers that though she has married again, Scarlett still harbors her infatuation for the gentlemanly Ashley Wilkes, Melanie's husband.
Later, when Frank Kennedy dies ring a Ku Klux Klan controversy and Scarlett is guilt-ridden and intoxicated, Rhett propositions her into marrying him. Scarlett accepts his proposal for his money; Rhett realizes this, but accepts it as he understands her opportunistic nature. But her continuing affection for Ashley Wilkes becomes a problem for the couple. When their daughter Bonnie falls off a pony and dies, the tragedy causes a rift between the two which is impossible to bridge.
But Rhett is not the type of man to wait forever and twelve years to most people is an eon. He leaves because he knows that this is what he has to do. He has to get away from Scarlett. Her confession of love is something that startles him but is also something that he half expects. He knows that Scarlett could never be happy with Ashley and when she discovers that, he does not want to be around when she throws her obsession onto him. When he finally gets Scarlett's love, he is not happy and leaves with his famous parthian shaft that has since been immortalized: "Frankly, my dear, I don't give a damn." The frankly was added in the movie - in the book, the line merely reads, "My dear, I don't give a damn."
In a sequel called Scarlett, written by Alexandra Ripley, Scarlett finally succeeds in getting Rhett back.
㈤ 關於美國小說《飄》的全面介紹，最好是英文
Gone with the Wind, an American novel by Margaret Mitchell, was published in 1936 and won the Pulitzer Prize in 1937. The novel is one of the most popular of all time, and an American film adaptation of the same name released in 1939 became the highest-grossing film in the history of Hollywood and received a record-breaking number of Academy Awards.
Mitchell's work relates the story of a rebellious Georgia woman named Scarlett O'Hara and her travails with friends, family and lovers in the midst of the antebellum South, the American Civil War, and the Reconstruction period. It also tells the story of the love that blossoms between Scarlett O'Hara and Rhett Butler.
The title is taken from the first line of the third stanza of the poem Non sum qualís eram bonae sub regno Cynarae by Ernest Dowson: "I have forgot much, Cynara! gone with the wind." Alternatively, the line also appears in the novel. When Scarlett escapes Atlanta's bombing by the forces of the north, she flees back to her family's plantation, Tara. At one point, she wonders "Was Tara still standing? Or was Tara also gone with the wind which had swept through Georgia?"
Critics and historians regard the book as having a strong ideological commitment to the cause of the Confederacy and a romanticized view of the culture of the antebellum South. This is apparent from the book's opening pages, which describe how Scarlett's beaux, the Tarleton twins, have been expelled from university and are accompanied home by their elder brothers out of a sense of honor: a metaphor for the South's viewpoint on the statehood of Kansas.
Nevertheless, the book includes a vivid description of the fall of Atlanta in 1864 and the devastation of war (some of it absent from the 1939 film), and shows a considerable amount of historical research. Mitchell's sweeping narrative of war and loss helped the book win the Pulitzer Prize on May 3, 1937.
An episode in the book suggests the early Ku Klux Klan, though without giving the name: in the immediate aftermath of the Civil War, Scarlett is assualted by recently-emancipated Blacks, whereupon her male friends make a retaliatory night-time raid on the Blacks' encampment. This raid is presented sympathetically as being necessary and justified, while the law-enforcement officers trying to catch the perpetrators are depicted as opressive Northern occupiers. Although the Klan is not mentioned in that scene, Scarlett later learns that Ashley Wilkes and others who were involved in the raid are members of the Klan. Many such local anti-Black vigilante groups did eventually join the Klan in the late 1860's, as Mitchell must have been aware from her historical reasearch.
Alexandra Ripley wrote the novel Scarlett, in 1991, as the authorized sequel to Mitchell's novel.
In 2000, the right holders attempted to suppress publication of Alice Randall's The Wind Done Gone, a book that retold the story from the point of view of the slaves. A federal appeals court denied the plaintiffs an injunction against publication in Suntrust v. Houghton Mifflin (2001), on the basis that the book was parody protected by the First Amendment. The parties subsequently settled out of court to allow the book to be published.
Structure
Part One
Chapters I to VII
From Tara to Ashley's birthday barbecue where his engagement to Melanie is announced and Fort Sumter spurs the beginnings of the American Civil War.
Part Two
Chapters VIII to XVI
From Tara to Scarlett's early years of the war in Atlanta with Aunt Pitty and Melanie.
Part Three
Chapters XVII to XXX
Scarlett's escape just before September 1864's Surrender of Atlanta back to Tara and the hardships there.
Part Four
Chapters XXXI to XLVII
Post-bellum, carpetbagger taxes force Scarlett to return to Atlanta where she ends up married to Frank.
Part Five
Chapters XLVIII to LXIII
Her marriage to Rhett Butler and realization that she never could love Ashley.
Historical Sources for the Characters
While Margaret Mitchell used to say that her Gone with the Wind characters were not based on real people, modern researchers have found similarities to some of the people in Mitchell's own life as well as to indivials she knew or she heard of. Rhett Butler is thought to be based on Mitchell's first husband, Red Upshaw, who she married in 1922, but divorced after it was revealed that he was a bootlegger.
Another at least pàrtial character source for Scarlett O'Hara might have been Martha Bulloch Roosevelt, the mother of US president Theodore Roosevelt. Roosevelt biographer, David McCullough, discovered that Mitchell concted an interview with one of Martha's closest friends and bridesmaid, Evelyn King Williams, at age 87, while a reporter for The Atlanta Journal. In that interview, Martha's physical appearance, beauty, grace and intelligence were described in great detail. The similarities between Martha, who was also called Mittie, and Scarlett are striking.
㈥ 英語論文《飄》中Scarlett的人物性格分析
裡面的人物性格特徵很明顯 像思嘉 在那個年代她作為一個女性能為自己的土地爭取到最大的利益 我很佩服她 瑞德的個性是個不適合在那個年代的 不過他可以為了自己的女兒和那些表面上虛偽的人稱兄道弟
斯佳麗除了有智慧外還有責任心 負擔著四五口人 她本質上是個小女孩即使在戰後歷經磨難瑞特把注意力轉移到邦尼身上 她後來對錢十分渴求 心理學上稱為追求安全感 戰爭之苦讓她沒有安全感 所以她總會做身處迷霧的夢 而最後她才發現瑞特是她夢中的謎底
失去了才懂得珍惜,我很可憐這個女人,卻不能對他的一些做法苟同.在那個時代,他能夠堅強的活下來 確實不易,然而愛情決不是一個人可以任意揮霍的資本! 當愛情就在你身邊的時候,記得要認清 要珍惜 要呵護!
最後的結局讓我很失望也感到失落,當失去的時候才知道誰才是自已真正愛的人,真愛往往就在身邊,卻失之交臂
in her eyes,nothing is more important than him .She could run through the war,
but she hasn't grown up by this.she didn't know what she want,and always run after the thing she couldn't get,and was never satisfied with her condition.
the result is terrible ,she lost what she had !
after all tomorrow is another day !
中文名：飄
英語名：Gone with the wind
法語名：Autant en emporte le vent
導演：Victor Fleming
原著：《飄》（瑪格麗特·米切爾著）
出品：米高梅公司
主演：Vivien Leigh, Clark Gable, Leslie Howard, Olivia de Havilland, Hattie McDaniel等
1936年，美國女作家瑪格麗特·米切爾的暢銷小說《飄》問世了。好萊塢製片人大衛·O·謝爾茲尼克出五萬美元買下了拍攝權，並先後動用十八位編劇將這部三卷集的小說改寫成電影劇本。
《亂世佳人》（GONE WITH THE WIND）是好萊塢影史上最值得驕傲的一部曠世巨片，影片放映時間長達4小時，觀者如潮。其魅力貫穿整個20世紀，因此有好萊塢「第一巨片」之稱。影片當年耗資400多萬美元，歷時三年半完成，其間數換導演，銀幕上出現了60多位主要演員和9000多名配角演員。在1939年的第12屆奧斯卡獎中一舉奪得八項金像獎，轟動美國影壇。這部耗資巨大，場景豪華，戰爭場面宏大逼真的歷史巨片，以它令人稱道的藝術成就成為美國電影史上一部經典作品，令人百看不厭。
1861年南北戰爭爆發的前夕，塔拉庄園的千金小姐郝思嘉愛上了另一庄園主的兒子艾希利，但艾希利卻選擇了表妹——溫柔善良的韓媚蘭為終身伴侶。郝思嘉出於妒恨，搶先嫁給了韓媚 蘭的弟弟查爾斯。不久，美國南北戰爭爆發了。艾希利和查爾斯作 為徵兵上了前線。查爾斯很快就在戰爭中死去了。郝思嘉成了寡婦， 但她內心卻一直熱戀著艾希利。
一天，在一次舉行義賣的舞會上，郝思嘉和風度翩翩的商人白瑞德相識。白瑞德開始追求郝思嘉，但遭到她的拒絕。郝思嘉一心只想著去追求艾希利，結果也遭到拒絕。
在戰爭中，美國南方軍遭到失敗，亞特蘭大城裡擠滿了傷兵。 郝思嘉和表妹韓媚蘭自願加入護士行列照顧傷兵。目睹戰亂帶來的慘狀，任性的郝思嘉成熟了不少。這時，從前線傳來消息，北方軍快打過來了，不少人家驚惶地開始逃離家園。不巧韓媚蘭要生孩子了，郝思嘉只好留下來照顧她。
在北方軍大軍壓境之日，郝思嘉哀求白瑞德幫忙護送她和剛生 下孩子的韓媚蘭回塔拉庄園。白瑞德告訴郝思嘉他不能目睹南方軍 潰敗而不去助一臂之力，他要參加南方軍作戰，他留下一把手槍並 和郝思嘉擁吻告別。郝思嘉只好獨自勇敢地駕駛馬車回到塔拉庄園， 這時家裡已被北方軍士兵搶先洗動一空，母親在驚嚇中死去。
不久，戰爭結束了。生活依然困苦。北方來的統治者要庄園主 繳納重稅，郝思嘉在絕望中去亞特蘭大城找白瑞德借錢，但得知他 已被關進監獄。歸來的途中，郝思嘉遇上了本來要迎娶她妹妹的暴 發戶弗蘭克，為了要重振破產的家業，她騙取弗蘭克和自己結了婚。
郝思嘉在弗蘭克經營的木材廠非法僱用囚犯，並和北方來的商人大做生意。此時，白瑞德因用錢賄賂而恢復了自由。兩人偶然碰面，再次展開愛恨交織的關系。
弗蘭克和艾希利因加入了反政府的秘密組織，在一次集會時遭 北方軍包圍，弗蘭克中彈死亡，艾希利負傷逃亡，在白瑞德幫助下 回到韓媚蘭身邊。郝思嘉再次成為寡婦。此時，白瑞德前來向她求 婚，她終於與一直愛她的搞私運軍火和糧食致富的白瑞德結了婚。 婚後，夫妻二人住在亞特蘭大的豪華大宅。一年後，女兒邦妮出生， 白瑞德把全部感情投注到邦妮身上。郝思嘉偶然翻閱艾希利的照片 被白瑞德發現，終於導致了二人感情的破裂。其後，在艾希利的生日會前夕，郝思嘉與艾希利相見時熱情的擁抱引起旁人非議，但韓媚蘭不相信他們之間有曖昧關系。白瑞德可不這樣想。
當郝思嘉告訴白瑞德她已經再次懷孕時，白瑞德懷疑地問那是誰的孩子？郝思嘉在羞怒之下欲打白瑞德，卻不慎滾下樓梯引起流產。白瑞德感到內疚，決心同郝思嘉言歸於好，不料就在他倆談話時，小女兒邦妮意外墜馬摔死了。與此同時不幸的事也在另一個家庭里發生，韓媚蘭終因操勞過度卧病不起。臨終前，她把自已的丈夫艾希利和兒子託付給郝思嘉，但要求她保守這個秘密，郝思嘉不顧一切撲向艾希利的懷中，緊緊擁抱住他，站在一旁的白瑞德無法再忍受下去，而轉身離去。面對傷心欲絕毫無反應的艾希利，郝思嘉終於明白，她愛的艾希利其實是不存在的，她真正需要的是白瑞德。
當郝思嘉趕回家裡告訴白瑞德，她是真正愛他的時候，白瑞德已不再相信她。他決心離開郝思嘉，返回老家去尋找美好的事物， 被遺棄的郝思嘉站在濃霧迷漫的院中，想起了父親曾經對她說過的 一句話：「世界上唯有土地與明天同在。」她決定守在她的土地上 重新創造新的生活，她期盼著美好的明天的到來。
本片在第十二屆奧斯卡金像獎中榮獲八項大獎：最佳影片獎、最佳藝術指導獎、最佳編劇獎、最佳導演獎、最佳攝影獎、最佳女主角獎、最佳女配角獎和最佳剪輯獎。
永恆的戰爭與愛情的主題，永遠的《亂世佳人》。
㈦ 請求《飄》中scarlett與ashley的關系！英文的！
Ashley is the man with whom Scarlett O'Hara is obsessed. Gentlemanly yet indecisive, he loves Melanie, his cousin and later his wife, but is tormented by an obsession with Scarlett. Unfortunately for him and Scarlett, his failure to deal with his true feelings for Scarlett ruins any chance she has for real happiness with the true love of her life (Rhett Butler). Ashley is a complicated character who is sympathetic to the cause of the North. He claims that he would have freed the slaves that worked on his plantation had the 'war never come'. He pleads, in vain, to his wife Melanie to move to the North after he came back from the War. He ends up working for Scarlett, living off her generosity, because he is a terrible businessman.
㈧ 誰知道《飄》的作者及人物的英文名
"Gone with the Wind"
作者：襲Margaret Mitchell 瑪格麗特。米切爾
Scarlett O』Hara 斯佳麗
Rhett Butler 瑞德
Ashley Wilkes 阿希禮
Melanie Hamilton Wilkes 梅蘭妮
㈨ 飄里主要人物的英文名字
斯嘉麗·奧哈拉（Scarlett O'Hara）
瑞德·巴特勒（Rhett Butler），斯嘉麗第三任丈夫
邦妮專（Bonnie），斯嘉麗和瑞德的女兒
阿什利屬·威爾克斯（Ashley Wilkes），斯嘉麗愛的人
梅蘭尼·漢密爾頓（Melanie Hamilton），阿什利的妻子
查爾斯（Charles），斯嘉麗的第一任丈夫
弗蘭克·肯尼迪（Frank Kennedy），第二任丈夫
㈩ 求飄中Ashley的英文人物分析，或者英文簡介
Ashley Wilkes
Blond, dreamy, and honorable, Ashley Wilkes is the foil to Rhett』s dark, realistic opportunism. Ashley courts Scarlett but marries Melanie Hamilton, thus setting in motion Scarlett』s central conflict. Ashley is the perfect prewar Southern gentleman: he excels at hunting and riding, takes pleasure in the arts, and comes from an excellent family.
Scarlett』s idealization of Ashley slowly fades as time goes on, and she finally sees that the Ashley she loves is not a real man but a man embellished and adorned by her imagination. Ashley admits to his love for Scarlett, but as a gentleman he ignores this love in order to marry Melanie, the more socially appropriate match for him. He excels at battle despite his doubts about the Southern cause. As the novel progresses, though, Ashley displays signs of weakness and incompetence. After the war he is worthless on the plantation and cannot adjust to the new world. Whereas Rhett and Scarlett survive by sacrificing their commitment to tradition, Ashley cannot or will not allow himself to thrive in a changed society. He sinks even lower as he sacrifices his honor— only thing he still values in himself—by accepting charity from Scarlett in the form of a share in her mill and by kissing her twice.
Ashley represents the Old South and Southern nostalgia for the prewar days. He epitomizes the old lifestyle and cannot function in the New South that emerges ring and after the war. Scarlett clings to him like many Southerners cling to dreams of their old lives, but her eventual recognition of Ashley』s weakness and incompetence enables her to see that dreaming of a lost world makes one weak.