海狼小說人物分析

❶ 《海狼》這部作品主要講了哪些內容

《海狼》是一部引起廣泛爭議的作品，評論界對它的褒貶曾大起大落。作者將19世紀流行的進化論、生物學和科學唯物主義都引進創作，在富於戲劇性的情節發展中展開討論，使作品具有很強的哲理性。

小說以主人公第一人稱自述的形式寫成。美國紳士亨甫萊在航海中船沉落水，被「魔鬼號」海豹獵船救起。船長「海狼」拉森有一副高大魁梧的身軀，原始野蠻人似的氣力，蟄伏著的威力時而發作。在他的威逼下，亨甫萊被迫在「魔鬼號」上當了一名廚子，目睹了由海狼造成的種種慘劇。後來他發現兇狠殘忍的「海浪」同時是一個出身寒微、智力超群，靠自學博覽群書的智者。一個偶然的機會，「魔鬼號」救起海上落難的女作家布魯斯特。她的出現，引起了海狼的慾望。當他對布魯斯特強行無禮時，亨甫萊奮起保護弱者，帶她逃離到一個人跡罕至的荒島。不久，被屬下拋棄的海狼也同破損的船一起被風浪卷到荒島。他已經弱不可支地逐漸走向末日。就在亨甫萊駕著修復的「魔鬼號」駛出海灣的那天，海狼終於孑然死於島上。

正如大多數人所看到的，《海狼》中的拉森，幾乎具備了「超人」的一切特徵。他有超凡的體力和智力，是個粗野的「大海之子」；他鄙視溫情脈脈的道德家，赤裸裸地主張用鐵和血的手段去實現個人的意志；他有懷才不遇的苦悶和孤獨，是豐富的激情和冷酷的性格鑄成的矛盾綜合體。

❷ 海狼這本書的主要內容是什麼

主要內容是：一艘渡船在舊金山灣失事,三十五歲的文學評論家Hamphrey被捕海豹船"魔鬼號"船長海狼Larsen救起。由於船上大副的死亡，缺少人手的Larsen強迫Hamphrey在船上做茶房。Hamphrey目睹了水手和獵人們的爭斗，但Hamphrey在船上學到了航海知識，身體也強壯起來。魔鬼號偶然救起了在輪船失事中倖存的Maud 。Hamphrey心中燃起了愛的火花，他終於和Maud找機會逃走，由於偏離了航線，不得不在一個海豹聚集的小島上暫時安頓下來，過了一段艱苦的努力生存的日子。眾叛親離的Larsen和魔鬼號也撞上了這個小島。船上的水手和獵人不堪Larsen的壓迫，離開了。Hamphrey和Maud努力將魔鬼號修好，其間受到Larsen多次阻撓。船終於修好了，Larsen則出現了偏癱，生命之火慢慢地熄滅了。Hamphrey與Maud將Larsen海葬，不久之後，他們獲救了。

《海狼》是美國著名作家傑克·倫敦的長篇名著之一。小數描寫了在一艘名為「幽靈號」 的以捕獵海豹為生的帆船上發生的一場動人心弦的搏鬥和刻骨銘心的愛情故事。小說的「狼」不僅是船長萊森的名字，對作者而言，也是超人的代名詞，作者通過作品帶領讀者進入豪放粗獷荒野，體驗蠻荒生活的冷酷無情，感受人性兇殘的黑暗面和原始生命的光輝；同時也揭露了資本主義社會的弊端，表現了對勞動人員頑強意志的歌頌和苦難生活的同情。

❸ 小說《海狼》的作者傑克·倫敦是做什麼的求他的介紹。

作者簡介 傑克倫敦，1876年生於舊金山。他是那個時代收入最多的作家之一。他在家中排行第十，從小家裡就窮，他必須到外頭辛苦地工作，以賺取微薄的薪資貼補家用。幼年時，傑克倫敦曾經被小偷和惡棍拐走，替他們做壞事，這件事在他心裡留下了不可磨滅的陰影。後來的幾年裡，傑克倫敦心情郁悶，經常借酒澆愁。 幸好，就在他快變成酒鬼的時候，他隨著一條捕海豹的船出海。當他再次回到舊金山時，他以前的老友大都已去世。他在鐵路單位工作了一段時間後，受著自己的興趣和慾望的驅使，開始到各地去旅行。他在阿拉斯加的克隆迪克區待了很長的一段時間，後來，這個地就成了《荒野的呼喚》這本書的背景。書中的主角巴克，就是以他在那裡所遇見的一隻狼狗為雛形塑造的。 在《海狼》一書中，傑克倫敦敘述了一個內心裡「人性」與「獸性」交戰不已的孤獨男子的故事。許多評論家認為，書中那位船長，――海狼勞森，從許多方面來說，就是傑克倫敦自身的寫照。 海狼突擊隊故事梗概(簡介) 邁克爾．柯蒂茲導演的特殊風格海上冒險片，描寫愛．基．魯賓遜飾演的鐵腕船長喜歡用殘酷手段對付他的船員，但另一方面卻對讀書人非常尊敬。他在海難中偶然拯救了學者，遂經常跟他辯論深奧的哲學問題，希望藉此增加自己的知識。後來，學者發現了船長的弱點，原來他患上漸進式的視力衰退因而特別偏執。學者率船員叛變，將船長拋進大海，不料兩人竟然還會見面。本片刻畫兩個性格和社會階層均差異甚大的人彼此之間的心理斗爭和微妙的愛恨關系。氣氛引人入勝，是傑克．倫敦原著小說一次成功的改編。

❹ 《海狼》這部小說是怎樣表現和突出主旨的

傑克·倫敦宣稱，他創作《海狼》的主旨在於「攻擊尼采和他的超人思想」。作品在某些方面確實表現了這種批判傾向。小說中的亨甫萊（即「我」），是作為海浪的對立面出現的。他基本保持了對於人生的希望和信念，所以「抵得住海狼的毀滅性的攻擊」，承擔了一個不很堅強，卻是始終如一的批判者的角色。尤其可貴的是，這個過了35年寄生生活的紳士，來到「海狼」設置的嚴酷世界，在自食其力中改造了自己，在與他人的合作中獲得生命的價值，真正理解了人生的意義。而與此形成對照，具有過人體力和意志的「海狼」卻一步步地走向衰亡。他的自私、高傲、殘忍導致人們怕他，更恨他，最後集體拋棄他，使這個龐然大物時時感到寂寞和空虛的痛苦。「海狼」的毀滅無疑是對尼采哲學的否定。然而，傑克·倫敦畢竟受尼采哲學的影響過深，即使在有意識地採取批判態度的時候，他與尼采哲學的關系依然是剪不斷，理還亂的。作品中「海狼」的地位過於突出，使得他身後的影子——尼采成為書中無形的主角，由此而產生了一定的消極作用。

❺ 海狼的劇情簡介

講述了一艘菲律賓貨輪在香港泊岸，海關人員循例登船檢查，突然遇襲，一名匿藏船上的男子Gary打傷海關人員，逃到岸上。接連數日在碼頭附近發生多宗兇殺案，受害人有警員、市民，甚至黑幫人物，兇手身份及行凶動機未明。香港警隊楊麗青督察接手調查，她從各點蛛絲馬跡中推斷，行凶者與當日逃走的Gary有關。該輪船的船長Captain與弟John指稱Gary是他們在公海救起的難民，其人失憶及有暴力傾向。警方高層向楊麗青下達指示，要對此暴徒加緊追捕，必要時，為了全港市民的安寧著想，可執行格殺令。疑兇Gary四處躲藏警方的緝捕，由於失憶，對自己過去的一切完全空白，加上對香港陌生，本能上只懂得以暴力自衛，變成千夫所指的頭號危險人物。楊麗青加緊追查行動，從線報得知Gary藏於一妓女家中，楊麗青精密布置，准備將他一舉擒獲，怎料在現場連船長之弟John亦一並逮住。在扣留期間，警方嚴詞逼供，John一直保持緘默。一夜，John與Gary雙雙越押，令警方大為震驚。惟楊麗青在拘捕Gary的過程中，發現Gary本是一個善良的人，一切暴行只屬自衛，楊麗青深信另有內情，繼續追查，得悉菲律賓貨輪實為海盜船，船上的大副阿強才是兇案幕後元兇。可惜，楊麗青苦無證據，上司當然不相信她的片面之詞，至於楊麗青所說的海盜嫁禍罪名於Gary，更被指斥為無蹊。事實上，Gary乃公海劫案的唯一生還者，被海盜扣押，幸而他與海盜船上的John乃舊時好友，遂得以逃脫，卻被海盜陷害他殺人，而John亦因海盜群的追究要逃命。楊麗青眼見Gary與John兩命無辜者被定為凶徒，而貨輪則依期離港，一群海盜逍遙法外，竟無計可施。另一方面，Gary從自己及John上的海狼紋身，開始漸有記憶，楊麗青遂掌握到重要線索，實行大舉殲滅真正的奸徒的重任。

❻ 海狼讀後感，重點寫感受。

1——煙過年華

折騰了許多天，終於把傑克·倫敦的這本《海狼》結束了。這許多天，許多時刻，思緒放佛也跟著凡·衛登，跟著海狼賴生，甚至跟著莫德小姐，在那風狂雨暴的海上飄搖，游盪，沒有止息。

多少次我對於船長海狼賴生的生命力感到驚異啊！我還是第一次見到這樣純粹得近乎不近情理的唯物主義者，驚異於哪怕只是故事中出現的這樣的一位人物。

他體魄驚人，勇猛粗暴，以武力征服統帥一切，從不知畏懼和情感為何物。就是這樣的一個人，卻幾乎天文地理文學科學都能略知一二，可稱是「四肢發達」而又「頭腦豐富」的完美結合體。在他的思想中，生命和感情都是不值錢的東西。所有人對自己的生命都是自視過高的，而不知道除了自己的這點「過分珍視」之外，他眼中比什麼都重要的自己的生命其實什麼都不是。

個體生命的消亡終止，對這個世界沒有絲毫的影響，而世界上還有無數的生命要求被生出來呢。也正是基於這樣的思想，他對自己的船員們從來都是在殘暴之餘冷眼相看，似乎是在審視一出出生命的笑話。一直到最後，他患上了嚴重的頭痛病，眼也瞎了，甚至於全身都逐漸癱瘓並漸漸走向死亡之時，他仍然在嘲笑著知識分子眼中視為神聖的永生與靈魂。

我不止一次地痛恨這個叫賴生的傢伙，他的唯物主義論常常荒誕和自相矛盾得近乎可笑。同時也在心裡懷疑著，世界上真能有這樣一個人嗎？在接受各種文化的灌輸教育（哪怕是無師自通）之後，還能夠保持住如此簡單、原始、野蠻的心性，還能夠摒棄對生命所該有的最基本的敬重，還能夠無掛無礙、好像壓根不存在道德觀念這回事一樣瀟灑地活在這世上？

在保持理性的、天馬行空而且無限自由開闊的思想之餘，居然能夠冷眼於世間的一切可怕的不公正，居然能夠理直氣壯地奉行所有的弱肉強食的准則，能夠狠得下心加害、施暴於世上所有的善良與正義？世間真能有這樣一個人？強健得近乎完美的肉體，廣闊浩瀚無常如海洋的思維，殘暴得不遜於任何一個稱之為人的生物的行為。

如果這些真能天衣無縫地在一個個體身上得到體現，我只能說這是個魔。海狼賴生就是一個這樣的魔王。
一直到接近生命的終點了，一直到凡·衛登和莫德對他無私的照顧再也起不了作用了，連他們對他說話他都無法作答了，當莫德問起他，「還有永生，可不是？」他還能用仍有知覺的左手在紙上顫抖而苦痛地寫下他生命中最後的言語：「胡說！」

天吶，這究竟是怎樣一個人，他否認靈魂的存在，自己卻有最自由不屈的靈魂；何苦要和自己過不去要和生命過不去，他至死都否認生命的價值，否認永生哪怕僅是對於其嚮往的價值。他就那樣死在自己逐漸萎縮的肉體里，靈魂飄向無邊的黑暗。廣大，深沉，沒有盡頭。

我不知道是應該為這個靈魂感到驚異，還是痛苦。他的唯物主義和物質主義的窮追不舍讓人感到不解，追根溯源，難道生命的意義真的根本就是虛空，就是幻影，除了存在本身，就再也找不到它存在的任何意義與理由了嗎？難道生命真的就只是生命，不是任何別的？難道千百年裡，人們苦苦追逐夢幻遐想的，來世或者永生的不朽，都只是紙上談兵的笑料嗎？

海狼賴生，該愛他，該恨他？還是人類的情感，根本就無法衡量和束縛這樣的一個生靈？一個徹底蠻性的、原始的、自由自在的生靈，一個至死都不怕天不怕地的讓人恨到骨子裡的狂徒，一個徹頭徹尾貫徹自己人生理念的思想家說和哲學家，一個完全超乎你想像力之外的存在。

傑克·倫敦的筆觸，甚至能讓我在閱讀的空隙，腦海中浮現出他思索著的神情、緊蹙著的眉頭。苦苦地苦苦地，掙扎於死亡與不朽、肉體與靈魂、物質與精神這樣永無結果的爭論中，無止無休，憔悴不堪，形容枯槁。

可是就是這樣的筆觸這樣的情思，卻讓我不知不覺愛上這個寫書的人。愛上那個時空與我不知道有多麼遙遠的，杳不可知的一個靈魂。也像賴生一樣自由自在，卻多了些悲憫情懷，像馬丁·伊登一樣才華橫溢多情善感，卻終於選擇了不歸路。

以往不知看過多少本名著小說了，可唯獨看他的書，卻喜歡聯想寫下那些文字的人。想著那雙眼睛，那張臉，那對手，都是什麼樣的？何來如此多的思慮，掙扎，自相矛盾？還是字里行間的叛逆和無止無休的追問，竟讓我看到一絲自己的影子？永遠像一個孩童般沒有長大，永遠不滿足於現世的生活，腳踩大地，卻從來不忘了去仰望杳遠的星空。

有誰知道，那是一種多麼深沉的絕望。

❼ 海狼的作者

《海狼》是傑克·倫敦的長篇名著之一。小數描寫了在一艘名為「魔鬼號」 的以捕獵海豹為生的帆船上發生的一場動人心弦的生一煞費苦心搏鬥和刻骨銘心的愛情故事。小說中的「狼」不僅是船長萊森的名字，對作者而言，一學是超人的代名詞，作者通過作品帶領讀者進入豪放粗獷荒野，體驗蠻荒生活的冷酷無情，感受人民生兇殘的黑暗面和原始生命的光輝；同時也揭露了資本主義社會的瞥端，表現了對勞動人員頑強意志的歌頌和苦難生活的同情。此外，作者所受尼采和斯賓賽的影響在作品中也有充分的表現。
美國著名小說家傑克倫敦的著作，《海狼》被公認為是海上題材里寫得最好的小說之一。這個故事寫得動人而有史詩韻味，不僅在文學上獲得了很大的成功，而且在銀幕上也受到了歡迎。故事取材於倫敦在北太平洋捕捉海豹的經歷：他在倫敦供職的船正是一艘海豹捕獵船，作業路線也正是從舊金山灣到日本海域。《海狼》中關於「魔鬼」號海豹捕獵船、其航行活動、海上神秘莫測的風光氣候以及水手海上生活等的許多描述都是以傑克•倫敦的親身經歷和經驗為藍本的。小說著重塑造了「海狼」拉森和亨甫萊•凡•衛登兩個人物，通過兩者的沖突表現了不同思想的磋撞，融合了作家本人對於人生哲學的思考，正如一些評論家所說，該作品反映了倫敦內心「理想主義和物質主義的沖突，良知與欺詐行為的沖突」。

❽ 求《海狼》中所表現的傑克倫敦的人生理念，要英文版的詳細點的。

Plot
Like The Call of the Wild, The Sea Wolf tells the story of a soft, domesticated protagonist, in this novel's case an intellectual man named Humphrey van Weyden, forced to become tough and self-reliant by exposure to cruelty and brutality. The story starts with him onboard a San Francisco ferry, called Martinez, which collides with another ship in the fog and sinks. He is set adrift in the sea, eventually being picked up ("rescued" is not the right word) by Wolf Larsen. Larsen is the captain of the seal-hunting schooner Ghost. Brutal and cynical, yet also highly intelligent and intellectual (though highly biased in his opinions as he was self-taught), he rules over his ship and terrorizes the crew with the aid of his exceptionally great physical strength. Van Weyden adequately describes him as an indivialist, a hedonist, and a materialist. As Larsen does not believe in the immortality of the soul, he finds no meaning in his life save survival and pleasure and has come to despise all human life and deny its value. Being interested in someone capable of intellectual disputes, he somewhat takes care of "Hump" while forcing him to become a cabin boy, do menial work, and learn to fight to protect himself from a brutal crew.

A vast majority of the story concerns itself with Humphrey's growth as a character, from self-described wimp to self-sufficient indivial. Such episodes include his learning of the ship's workings, his rivalry with Thomas Mudgridge (the ship's cook, which climaxes with a standoff that Humphrey wins), and his tense relationship with Wolf Larsen. He is promoted throughout the story, from cabin boy to mate.

A key event in the story is an attempted mutiny against Wolf Larsen by several members of the crew. The organizers of the mutiny are Leach and Johnson. Johnson had previously been beaten severely by Larsen, and Leach was a close friend of Johnson, motivating the two. The first attempt is by sending Larsen overboard, however he manages to climb back onto the ship. Searching for his assailant, he ventures into the sleeping quarters, located beneath the main deck, the only exit being a ladder. Several, at least seven men, take part in the mutiny and attack Larsen. Larsen however, demonstrating his inhuman enrance, strength, and conviction, manages to fight his way through the mob, climb the ladder with several men hanging off him, and escape relatively unharmed. He later gets his vengeance by torturing his crew, and constantly claiming that he was going to murder Leach and Thompson at his earliest convenience, being after the hunting season is done, as he can't afford to lose any crew. He later allows them to be lost to the sea when they attempt to flee on a hunting boat.

Following this, the Ghost picks up another set of castaways, including a woman poet named Maud Brewster. Both Wolf Larsen and Humphrey immediately feel attraction to her, e to her intelligence and "female delicacy". Humphrey sees her as his first true love. He strives to protect her from the crew, the horrors of the sea, and Wolf Larsen. As this happens, tension begins to rise between Wolf Larsen and his brother, Death Larsen, with the two aggressively competing for seals. Wolf goes as far as kidnapping several of Death's crew and forcing them into servitude to fill his own ranks. During one of Larsen's intense headaches, which render him near immobile, Humphrey steals a boat and flees with Maud.

The two eventually land on an uninhabited island, heavily populated with seals. They hunt, build shelter and a fire, and survive for several days, utilizing the strength they gained while on the Ghost. The Ghost eventually crashes on the island, with Wolf Larsen the only crew member. In vengeance, Death Larsen had tracked his brother, bought his crew, destroyed his sails, and set Wolf adrift at sea. It is purely by chance that Humphrey and Maud meet Wolf again.

Wolf's headaches only grow worse, and they are revealed to be strokes. The three coexist to some extent. Humphrey obtains all of the firearms left on the ship, but cannot bring himself to murder Larsen, who does not threaten him. After one stroke, Larsen is rendered blind. Humphrey and Maud decide they can repair the ship, but Larsen, who is intent to die on the island and take them with him, sabotages any repairs they make. He feigns paralysis, and attempts to murder Humphrey when he foolishly draws within arm's reach, but just then is hit with another stroke that leaves him blind and the left side of his body paralyzed. His condition only worsens, he loses usage of his remaining arm, leg and voice. Maud and Humphrey, unable to bring themselves to leave him to rot, care for him. Despite this kindness, he continues his resistance, setting fire to his mattress. Finally, ring a violent storm, Wolf Larsen passes away.

Humphrey finishes repairing the Ghost, and he and Maud set sail. They give Larsen a burial at sea, an act mirroring an incident Humphrey witnessed when he was first rescued. The story ends with them being rescued by an American revenue cutter.

Humphrey van Weyden
Humphrey starts the book weak of body but strong of mind. He grows stronger as the story progresses, physically through the manual labor, and spiritually as he enres the various hardships. Upon meeting Maud, he realizes just how much he has changed, gaining muscle mass, a more rugged appearance, and a different outlook on life.

Humphrey has a unique relationship with Larsen. Though he is in effect the captain's prisoner, Larsen shows him favoritism and occasionally acts as a father figure, giving advice on how to survive aboard the ship. Though Larsen claims to take Humphrey aboard primarily because he needed an additional hand, he also seems to genuinely believe he is doing something good for Humphrey. He claims that Humphrey has never "stood on his own legs", meaning he has never had to work and always relied on his inheritance from his father to survive. Throughout the book, Larsen compliments Humphrey on his growth, eventually telling him he is proud of him, and calling him a real man, able to stand on his own.

Humphrey has an ideology that is in sharp contrast to Larsen's. He believes in the internal soul, inherent good, and that men should act justly under all circumstances. His views are constantly being challenged by Larsen, who encourages him to give into his desires and behave in an immoral fashion. By the end of the story, Larsen is annoyed that Humphrey still clings to his beliefs and refuses to murder him, despite all the suffering Larsen has put him through.

Wolf Larsen
Larsen is a complex character. Physically, he is described as approximately five feet ten with a massive build: broad shoulders and a deep chest. Humphrey describes Larsen as beautiful on more than one occasion, perfectly symmetrical, a perfect specimen of masculinity. Yet, despite this, his true strength is described as something more primal, more primitive and animalistic. He is extremely intelligent, having taught himself a variety of fields, including mathematics, literature, science, philosophy, and technology. Throughout the story, he displays almost inhuman amounts of strength, even for a man of his size and build.

Larsen was born in Norway, though he is of Danish descent. He spent his entire life at sea; cabin-boy at twelve, ship's boy at fourteen, seaman at sixteen, able seaman at seventeen. It is unclear when he obtained the Ghost and became captain. He claims to have several brothers, but only Death Larsen is mentioned.

Larsen displays characteristics of a sociopath. He has absolutely no fault with manipulating and bullying people to better serve his needs. He routinely takes men hostage, castaways like Humphrey or seal hunters from other ships, and uses them to fill his own ranks when needed. He murders and abuses people without hesitation, seeing no value in life. He enjoys the intellectual stimulation that Humphrey and Maud provide, but Humphrey describes their relationship as one between a king and his jester. He is only a toy to Larsen.

Despite his immense internal strength, Larsen at times show signs of weakness and depression. He is envious of his brother, because his brother is simple minded, and so is able to enjoy life unburdened. He also claims he is envious of Maud and Humphrey's faith, but later says it is only his mind, and he knows he is better off without it. He also speaks of frustration that he never amounted to anything great. He claims he had all the determination and will, but was never given the proper opportunity.

Interestingly, Wolf is not Larsen's real given name, his real given name is never spoken. Dialogue heavily implies that he is called "Wolf" because of his nature and viciousness, similar reasons that his brother is called "Death".

Background
The personal character of the novel's antagonist "Wolf Larsen" was attributed to a real sailor London had known, Captain Alex MacLean. London, who was called "Wolf" by his close friends, also used a picture of a wolf on his bookplate, and named his mansion "Wolf House." Given that Hump's experiences in the novel bear some resemblance to experiences London had, or heard told about, when he sailed on the Sophia Sutherland, the autodidact sailor Wolf Larsen has been compared to the autodidact sailor Jack London.

Originally from Cape Breton Nova Scotia, MacLean sailed to the Pacific side of North America when he was just twenty-one and worked there for thirty-five years as a sailor and sealer. His achievements and escapades while in the Victoria British Columbia fleet in the 1880s laid the foundation for his status as a folk hero.

The real life Captain Alec MacLean was born May 15, 1858 in East Bay, Nova Scotia. He did sail mostly in the Pacific North West with his brother Captain Dan MacLean. Capt. Alec was at one time the Sheriff of Nome, Alaska. The MacLean Captains maintained their ties to Cape Breton Island despite having spent much of their lives sailing the Pacific Coast and do have living descendants (The Highland Heart of Nova Scotia, Neil MacNeil).

London's intention in writing the The Sea-Wolf was "an attack on Nietzsche's super-man philosophy." The novel also contains references to Herbert Spencer, Omar Khayyám, Shakespeare, and John Milton.

The real-life USRC Bear and its color commander, Captain Michael A. Healy, each icons along the late 19th century Alaskan coast, were reportedly inspirations for London when writing The Sea-Wolf. (The Bear is the American revenue cutter which comes to the rescue at the end of his story). In 1930, the Bear, then a museum ship in Oakland, California, portrayed a ship for a film version of The Sea-Wolf.

❾ 《海浪》的主人公是什麼職業

《海浪》是英國女作家弗吉尼亞·伍爾芙1931年創作的長篇小說，作者以極具朦朧意味和象徵意味的筆觸描繪了六個人物：伯納德、內維爾、路易斯、蘇珊、珍妮和羅達從童稚到垂暮之年的內心獨白，用六股平行的意識流分別表現了意識的六種類型和「人的六個時代」的成長經歷和體驗。
伯納德作為整部小說的一個主角，貫穿整個小說的始末。小說中的伯納德從小便樹立了成為作家的理想，

❿ ⒈根據你的理解，談談你對「海浪」這一形象的認識。 ____

1. 海浪是一個執著的愛人形象，她對情侶海岸一往情深，愛得熱烈，愛得深沉，並由對海岸的愛情上升到更廣闊的對世間萬物所懷的滿腹愛情，這博大的愛情閃耀著母性的光輝——「愛情的真諦就是清醒」，因為愛著這個世界，所以哪怕「徹夜不眠讓我形容憔悴」，也要守護著這個世界，它的和諧，它的美。